Gustave Flaubert sieht seine Geliebte
A figure in rotation
Nude with upraised arm
Her second arabesque
The make-up that’s barely there
Multiple exposures of the moon
Double virginal
Our prompt today at napowrimo.net write a poem inspired by one of the odd, in-transition spaces provided by “the perpetually disconcerting @SpaceLiminalBot“. I stuck with the collection of The Met instead, and searched for terms like liminal and transition. I found many lovely pieces of work with great titles. The titles themselves were poetic enough for a poem 🙂 I’ve copied the works that are open access in this post, and provide clickable links to the other ones beneath the pictures. The art piece that provided the first line of this poem is especially liminal.

Artist: Edgar Degas (French, Paris 1834–1917 Paris)
Founder: Cast by A.-A. Hébrard et Cie (Paris)
Date: modeled probably before 1890, cast 1920
Culture: French, Paris
Medium: Bronze
Dimensions: Overall: 11 3/8 × 17 1/8 × 3 7/8 in. (28.9 × 43.5 × 9.8 cm)
Classification: Sculpture-Bronze
Credit Line: H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929
Accession Number: 29.100.399

Artist: Antoine-François-Jean Claudet (French, Lyon 1797–1867London)
Photography Studio: John Jabez Edwin Mayall (British, Oldham, Lancashire 1813–1901 West Sussex)
Date: 1846–52
Medium: Daguerreotype
Dimensions: Plate: 2 1/2 × 2 in. (6.4 × 5.1 cm)
Case (approx.): 5.5 × 2.5 cm (2 3/16 × 1 in.)
Classification: Photographs
Credit Line: The Horace W. Goldsmith Foundation Fund, through Joyce and Robert Menschel, 2019
Accession Number: 2019.47

Maker: Lodewijck Grouwels (Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Geography: Middelburg, Zeeland, The Netherlands
Culture: Flemish
Medium: Pine, spruce, paint, gilding, ivory
Dimensions: W. 75 × D. 20 in. (190.5 × 50.8 cm)
Classification: Chordophone-Zither-plucked-virginal
Credit Line: The Crosby Brown Collection of Musical Instruments, 1889
Accession Number: 89.4.1196
Gustave Flaubert sieht seine Geliebte
Her second arabesque
The make-up that’s barely there