oh orca oh orca oh orca oh
ho orca ho orca ho orca ho
ca rohor ca rohor ca rohor ca
orca ho orca ho orca ho or
r c-a r c-a r c-a r
c a-r c a-r c a-r c
or ca c
or ca do
I wish I was m
This is a sound poem, and it only works when you try to read it out loud (either in your head or when no one’s around 😉
I’ve never written a sound poem in my life. But yesterday (which means before our prompt was up!) this poem happened. I was in a train, trying to write a poem using the prompts from Robert Lee Brewer’s Poetic Asides. I had rather randomly chosen the orca as a subject to write about, but the muse kept quiet. I wanted to stick with my choice (I’m pigheaded sometimes) so picking up on the O of orca I wrote down Ode to orca as a title. Nothing came… Then I decided to just stick with the sounds and write something from there. #NaPoWriMo has done a great job in helping me write waaaayyyy outside my comfort zone 🙂
You can imagine my surprise when I read the prompt today: a sound poem. It’s no coincidence that I wrote this one after the last few days. When I struggled with the breaking-the-rules prompt, I though about the weirdest poem I know of: Kurt Schwitters Ursonate. A famous dadaist sound poem, consisting only of incomprehensible sounds.
Funny thing: I had only read about the Ursonate, and I believed it was the type of nonsense I don’t like (sorry Herr Schwitters). But when I looked it up on YouTube, and listened to it whilst writing this post, I really enjoyed listening to it!
I’ll link up to a radio recording of Schwitters himself in 1932 and a video of Michael Schmid performing the piece in 2011. If you first listen to Schwitters and then watch the performance, you can only imagine what it must be like to learn a poem like this by heart…